CORRESPONDENTS
Installation view from ARCHIPELAGO—SPLINTERS, MATTER, AND EVIDENCE at Kunstraum Innsbruck, 2015. Shown here, works by Bettina Khano, SPLINTERS, 2015; Karen Lohrmann and Stefano de Martino, RELEASE III, 2015; Lars Neckel, EMPTY SET, 2014.
Correspondents is an edition made in Berlin. Developed in close collaboration with LANE Studio and produced by Europrint, Correspondents can be found in fine bookshops and at selected stores, libraries and institutions. The limited editions are part of public and private collections and featured at e-flux United Nations Plaza Berlin, Skylight and Family in Los Angeles, Do you read me? and Pro QM in Berlin, Kunstraum Lüneburg, Salon für Kunstbuch and Belvedere 21 in Vienna, Mercado San Cosme Berlin, Oldenburger Kunstverein, Kunstraum Innsbruck, Campo in Rome, A’mbasciata in Naples, Flat Art Book Fair in Turin, the National Gallery of Victoria, Melbourne, among other.
Correspondents is a drop in the ocean of printed matter. Deliberately not a magazine or collection of articles, each volume is produced by one author on one subject. Correspondents are agents, their content determined and uncompromising—promiscuous like a free radical, pairing, mixing, and contrasting to modify meaning and perception. There is no relation other than that they all invite some sense of exteriority.
In 2014 Correspondents was invited to show new spatial works produced in relation to the print editions. The exhibition Archipelago—Splinters, Matter, and Evidence was shown at Kunstraum Innsbruck during January 2015.
PUBLICATIONS AND PRODUCED WORKS:
S. Chou, HVAC, forthcoming.
Karen Lohrmann and Stefano de Martino, INVENTORY (CASA RAMPA), 2019, diptych, risographic prints, 20 x 30 cm each, numbered edition of 96 plus 4 AP.
Karen Lohrmann and Stefano de Martino, WAITING LAND, 2017, numbered edition of 300 plus 4 AP.
Karen Lohrmann and Stefano de Martino, RELEASE III, 2015, installation, approximately 4000 CDs, dimensions variable.
Lars Neckel Ø (EMPTY SET—VARIATION), 2014, installation, news print, coldset, dimensions variable.
Lars Neckel, Ø (EMPTY SET), numbered edition of 300 plus 4 AP.
Lars Neckel, Ø, news print paper, coldset, 57 x 80 cm, edition of 5000.
Bettina Khano, SPLINTERS, 2015, six glass works, various dimensions, uniques.
Bettina Khano, 887 002 2AAAANN1 03/02/04, 2014, edition of 350 plus 4 AP.
Bettina Khano, 887 002 2AAAANN1 03/02/04, 2014, inkjet on Hahnemühle paper, varnished by hand, 100,5 x 170 cm, edition of 5.
LANE Studio, PRINT RUN [Bettina Khano, 887 002 2AAAANN1 03/02/04 1], video, 1:19 minutes.
nOffice (Miessen Plufgfelder Nielsson) ”DESIGN: AN INTRODUCTION”—STOCK TAKING, original edition (1948); BESTANDSAUFNAHME (2010 by nOffice); reprint (2012).
nOffice (Miessen Plufgfelder Nielsson) ”DESIGN: AN INTRODUCTION”, edition of 700.
Irmi Peer, INDICES, installation, 1999-2007; 2015, original and adapted every-day objects, dimensions variable.
Irmi Peer, SPATIAL PRACTICES—RÄUMLICHE HANDLUNGEN, edition of 350.
William Engelen, FALTEN, 2013; 600 BEATS, ONE A SECOND, 2013, FOR STRING TRIO, 2013; FOR VIOLIN, 2015, mixed media installation, dimensions variable.
William Engelen, BREAKING THE BAR, 2010, edition of 350.
William Engelen, BREAKING THE BAR, 2009, performance at Kunsthaus Bregenz.
Lorma Marti, SPENT, installation, shreds, dust, dimensions variable.
Lorma Marti, HOW WE SPENT IT, edition of 200.