CORRESPONDENTS

Installation view from ARCHIPELAGO—SPLINTERS, MATTER, AND EVIDENCE at Kunstraum Innsbruck, 2O15. Shown here, works by Bettina Khano, SPLINTERS, 2O15; Karen Lohrmann and Stefano de Martino, RELEASE III, 2O15; Lars Neckel, EMPTY SET, 2O14. 

Correspondents is an edition made in Berlin. Developed in close collaboration with LANE Studio and produced by Europrint, Correspondents can be found in fine bookshops and at selected stores, libraries and institutions. The limited editions are part of public and private collections and featured at e-flux United Nations Plaza Berlin, Skylight and Family in Los Angeles, Do you read me? and Pro QM in Berlin, Kunstraum Lüneburg, Salon für Kunstbuch and Belvedere 21 in Vienna, Mercado San Cosme Berlin, Oldenburger Kunstverein, Kunstraum Innsbruck, Campo in Rome, A’mbasciata in Naples, Flat Art Book Fair in Turin, the National Gallery of Victoria, Melbourne, among other.

Correspondents is a drop in the ocean of printed matter. Deliberately not a magazine or collection of articles, each volume is produced by one author on one subject. Correspondents are agents, their content determined and uncompromising—promiscuous like a free radical, pairing, mixing, and contrasting to modify meaning and perception. There is no relation other than that they all invite some sense of exteriority.



RELATED WORKS

S. Chou, HVAC, forthcoming.


Karen Lohrmann and Stefano de Martino, INVENTORY (CASA RAMPA), 2019, diptych, risographic prints, 2O x 3O cm each, numbered edition of 96 plus 4 AP.

Karen Lohrmann and Stefano de Martino, WAITING LAND, 2O17, numbered edition of 3OO plus 4 AP.

Karen Lohrmann and Stefano de Martino, RELEASE III, 2O15, installation, approximately 4OOO CDs, dimensions variable.


Lars Neckel Ø (EMPTY SET—VARIATION), 2O14, installation, news print, coldset, dimensions variable.

Lars Neckel, Ø (EMPTY SET), numbered edition of 3OO plus 4 AP.

Lars Neckel, Ø, news print paper, coldset, 57 x 8O cm, edition of 5OOO.


Bettina Khano, SPLINTERS, 2O15, glass, various dimensions, uniques.

Bettina Khano, 887 OO2 2AAAANN1 O3/O2/O4, 2O14, edition of 35O plus 4 AP.

Bettina Khano, 887 OO2 2AAAANN1 O3/O2/O4, 2O14, inkjet on Hahnemühle paper, varnished by hand, 1OO,5 x 17O cm, edition of 5.


LANE Studio, PRINT RUN [Bettina Khano, 887 OO2 2AAAANN1 O3/O2/O4 1], video, 1:19 minutes.
 

nOffice (Miessen Plufgfelder Nielsson) ”DESIGN: AN INTRODUCTION”—STOCK TAKING, original edition (1948); BESTANDSAUFNAHME (2O1O by nOffice); reprint (2O12).

nOffice (Miessen Plufgfelder Nielsson) ”DESIGN: AN INTRODUCTION”, edition of 7OO.


Irmi Peer, INDICES, installation, 1999-2OO7; 2O15, original and adapted every-day objects, dimensions variable.

Irmi Peer, SPATIAL PRACTICES—RÄUMLICHE HANDLUNGEN, edition of 35O.


William Engelen, FALTEN, 2O13; 6OO BEATS, ONE A SECOND, 2O13, FOR STRING TRIO, 2O13; FOR VIOLIN, 2O15, mixed media installation, dimensions variable.

William Engelen, BREAKING THE BAR, 2O1O, edition of 35O.

William Engelen, BREAKING THE BAR, 2OO9, performance at Kunsthaus Bregenz.


Lorma Marti, SPENT, installation, shreds, dust, dimensions variable.

Lorma Marti, HOW WE SPENT IT, edition of 2OO.


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